Padd Solutions

Converted by Falcon Hive

Keeping It Close - Shooting Script

Wednesday, November 03, 2010

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(intro) 0:00-0:45

4 cymbal taps 0:00-0:02

Shot 1: CU of male’s face with eyes closed.
Shot 2: CU of female’s face with eyes closed.
Shot 3: CU of male’s face with eyes wide open.
Shot 4: CU of female’s face with eyes wide open.

0:02 – 0:09 – 1st bar

Shot 5: LS of male in forest.
Shot 6: CU of male in forest.
Shot 7: MS of male in forest.
Shot 8: CU male’s feet in forest.
Shot 9: CU male’s hand in forest.
Shot 10: LS male from behind in forest.
Shot 11: CU of male in forest.

0:09 – 0:16 – 2nd bar

Shot 12: LS of female on beach.
Shot 13: CU of female on beach.
Shot 14: MS of female on beach.
Shot 15: CU female’s feet on beach.
Shot 16: CU female’s hand on beach.
Shot 17: LS female from behind on beach.
Shot 18: CU of female on beach.

0:16 – 0:24 – 3rd bar

Shot 19: tracking LS of male running through forest.
Shot 20: still shot MS of male running through forest from left to right.
Shot 21: tracking CU of male running through forest.
Shot 22: still shot LS of male running through forest from left to right.
Shot 23: MS tracking shot, camera following behind male’s run.

0:24 – 0:34 – 4th bar

Shot 24: CU over the shoulder shot of female assembling twigs to make a fire.
Shot 25: CU female face, concentrating on what she is doing.
Shot 26: CU female eyes closing.
Shot 27: CU female mouth, whispers “flamma vitae.” (flame of life.)
Shot 28: CU over the shoulder, the fire is now burning strong.

0:34 – 0:45 – Rest (guitar notes)

Shot 29: MS’ of male stopping and catching his breath.
Shot 30: CU of male looking back up and running past the camera

(Male) We'll make a scratch with fingernails, until it's all gone. 0:45-0:50

Shot 31: CU male’s left hand scratching along a tree trunk - forest. (2 beats)
Shot 32: CU female’s right hand scratching against a rock wall - beach. (2 beats)
Shot 33: CU male’s left hand scratching up his arms – forest. (2 beats)
Shot 34: CU female hand scratching up her arms – beach. (2 beats)
Shot 35: CU of male singing “until it’s all gone.” – forest.

(Male) Pulling at every thread, stuck in a backroom. 0:50-0:55

Shot 36: CU male’s hands pulling at his clothes – forest. (2 beats)
Shot 37: CU female’s hands pulling at her clothes – beach. (2 beats)
Shot 38: CU male’s hands pulling his hair – forest. (2 beats)
Shot 39: CU female’s hands pulling her hair – beach. (2 beats)
Shot 40: CU of male singing, “stuck in a backroom.” – forest.

(Male) So who's had enough? Who's had enough? 0:55-0:59

Shot 41: LS of male singing “so who’s had enough?”
Shot 42: CU of male singing “who’s had enough?”

(Male) You lose some you love. 0:59-1:01

Shot 43: Female hand picking up sand and letting it drift away.

(Male) Who's had enough? We'll make this the last breath of air now. 1:01-1:06

Shot 44: CU of male singing “who’s had enough?”
Shot 45: Female roughly throwing the rest of the sand away. (“We’ll make this”)
Shot 46: ECU of male angrily singing “the last breath of air now.”

(Female) Burning your hands, was it worth waiting for? 1:06-1:12

Shot 47: CU of mini bonfire burning, we can see the female singing through the fire. (Burning your hands)
Shot 48: CU of female singing “was it worth,” her face lit up by the fire. (was it worth)
Shot 49: MCU of female’s silhouette from behind and hand outlined by the fire. (waiting)
Shot 50: ECU of female’s hand outlined by the fire. (for?)

(Female) Swimming to you, crawling in your dirt. 1:12-1:19

Shot 51: CU Water pouring down female’s face as her eyes are closed, looking up. (Swimming to you)
Shot 52: CU female digging her hands into sand. (crawling in your dirt)

(Female) Burning your hands, was it worth waiting for? 1:19-1:26

Shot 53: CU of mini bonfire burning, we can see the female through the fire, shielding her face. (Burning your hands)
Shot 54: CU of female singing “was it worth,” her face lit up by the fire, her hands are covering her eyes leaving her mouth free. (was it worth)
Shot 55: MCU of female’s silhouette from behind taking her hands off her face and holding them out the her sides and they begin to fall. (waiting for?)

(Female) Swimming to you, crawling in your dirt. 1:26-1:32

Shot 56: CU “Blood” pouring down female’s face as her eyes are closed, looking up. (Swimming to you)
Shot 57: CU female digging her hands into bloodstained sand. (crawling in your dirt)

(M&F) Break the bones you call your own – 3 second break 1:33-1:40

Shot 58: CU male’s feet snapping twigs while running (break the bones)
Shot 59: CU male face singing (you call)
Shot 60: CU female face singing & then looking away (your own & -break-)

(M&F) Lost a place to call your home – 3 second break 1:40-1:47

Shot 61: ECU male mouth singing (lost a place)
Shot 62: ECU female mouth singing (to call your home)
Shot 63: ECU male eyes looking right and then up (-break-)
Shot 64: ECU female eyes looking left and then up (-break-)

(M&F) Break the bones you call your own – 3 second break 1:47-1:54

Shot 65: LS male falls over in forest (break the bones)
Shot 66: CU male singing (you call your own)
Shot 67: MS male trying to stand up but it’s hard (-break-)

(M&F) Lost a place to call your home – 3 second break 1:54-2:00

Shot 68: CU male singing (lost a place to call)
Shot 69: CU female singing “your home” then looking down and then whipping her head to her left – whip pan (your home & -break-)

(instrumental) 2:00-2:26

Shot 70: Forward tracking shot, over male’s shoulder as he runs toward the abandoned fire (2:06)
Shot 71: CU male looking left, right and down (jump cuts).
Shot 72: Eye line match / POV shot of male looking at the discarded clothes.
Shot 73: LS male walks over to the clothes and kneels.
Shot 74: CU male looking confused. (2:13)
Shot 75: MS over the shoulder as he gets out his phone, tries to call her, and puts the phone to his ear (jump cuts).
Shot 76: Low angle CU of her phone ringing behind her clothes, male reaches over to it, looks at them and throws them both down onto the ground (jump cuts). (2:20)
Shot 77: CU male’s face, his eyes look up into the fire.
Shot 78: CU fire burning.
Shot 79: CU male’s face, staring intently at fire. (2:26)

(F) Burning your hands, was it worth waiting for? 2:26-2:32

Shot 80: CU of male bringing his hands up close to the fire (burning your hands)
Shot 81: ECU of female’s mouth singing with a projection of fire on her mouth (was it worth waiting for?)

(F) Swimming to you, crawling in your dirt. 2:32-2:39

Shot 82: CU of male staring intently into the fire (swimming to)
Shot 83: ECU of female’s mouth singing with a projection of male on her mouth (you, crawling)
Shot 84: CU of male’s eyes glazed as he stares into the fire (in your dirt)
Shot 85: ECU of male’s eyes (-mini break-)

(F) Burning your hands, was it worth waiting for? 2:39-2:45

Shot 86: Low angle CU of female in dark room, fast-paced edited projections of fire (1) on her face (burning your hands)
Shot 87: High angle CU of female in dark room, fast-paced edited projections of fire (2) on her face (was it worth)
Shot 88: Left angled CU of female in dark room, fast-paced edited projections of fire (3) on her face (waiting)
Shot 89: Right angled CU of female in dark room, fast-paced edited projections of fire (4) on her face (for?)

(F) Swimming to you, crawling in your dirt. 2:45-2:52

Shot 90: MCU of female in dark room, fast-paced edited projections of water (1) on her face (swimming)
Shot 91: CU of female in dark room, fast-paced edited projections of blood (1) on her face (to you)
Shot 92: High angle CU of female in dark room, fast-paced edited projections of smoke (1) on her face (crawling in)
Shot 93: Low angle CU of female in dark room, fast-paced edited projections of smoke (2) on her face (your dirt)

(M&F) Break the bones you call your own – 3 second break 2:52-3:00

Shot 94: CU male singing in dark room, pictures projected onto his face of female (break the bones you call your own)

(M&F) Lost a place to call your home – 3 second break 3:00-3:06

Shot 95: CU female singing in dark room, pictures projected onto her face of male (lost a place to call your home)

(M&F) Break the bones you call your own – 3 second break 3:06-3:13

Shot 96: CU of male eye (break) fire
Shot 97: CU of female eye (the bones) water
Shot 98: CU of male mouth (you call) blood
Shot 99: CU of female mouth (your own) smoke
Shot 100: CU of male left side of face (-break-) fire
Shot 101: CU of female right side of face (-break-) water
Shot 102: CU of male face (-break-) blood
Shot 103: CU of female face (-break-) smoke

(all with alternating shots of fire, water, blood and smoke projections)

(M&F) Lost a place to call your home. 3:13-3:17

Shot 104: CU two shot of male and female faces looking at each other and singing, until the last note where they both shut their eyes.

(the alternating shots of fire, water, blood and smoke projection speed up here even more until the climax)

(end) 3:17-??:??

Shot 105: Fire is burning alone, both male and female’s clothes are visible.